The ICA is pleased to announce a unique project with Shanghai-based artist Zhang Enli. Currently at work transforming the ICA theatre with a painting covering the floor and walls, the artist will create an immersive pictorial environment.

Enli’s previous paintings featured seemingly mundane urban objects such as tangled wires, empty cabinets, cargo netting and stacked cardboard boxes. As with the objects he paints, the spaces are empty rooms that show signs of decay and come complete with dirt marks. Semi-transparent layers of paint and the traces of brush strokes draw the viewer’s focus to the materiality of the painting, and in turn the newly created space.

Enli always paints with artificial light in a studio located in Moganshan Road art district, an industrial compound filled with galleries and artist studios in Shanghai. Looking at the tones and colours that permeate his work this lack of natural light is evident and enhances the presence of an artificial atmosphere. Enli’s work embodies a very personal relationship with his surroundings and for the ICA he aims to stretch colours across the space 'like human skin' with thin washes of pigment creating a 'space painting.'

Having grown up in the provincial town of Jilin in the north of China, Enli’s work continues to be strongly marked by his experience of this transition, 20 years ago, to the sprawling metropolis of Shanghai. He represents this extreme contrast to the smaller city he was accustomed to, not through the consumerist preoccupation so common in contemporary Chinese painting coming from its major cities, but by looking at the ordinary, unpretentious objects that surround him and the immigrants travelling from the countryside to Shanghai.

Enli’s painting at the ICA follows on from previous large scale immersive works, most recently at Kochi Muziris Biennale, India, in 2012, and prior to that at the 6th Curitiba Biennial, Museu Alfredo Andersen, Curitiba, Brazil, 2011, Gwangju Museum of Art, Korea, 2010, the Minsheng Art Museum, Shanghai, 2010 and Objectif Exhibitions, Antwerp, Belgium, 2007.

To coincide with Enli’s Space Painting at the ICA there will be a full colour catalogue, with a foreword by Gregor Muir and an essay by Dr Sook Kyung Lee, Research Curator for Tate Research Centre: Asia Pacific. Illustrations will include images of the site specific work Zhang Enli is making for the ICA’s theatre.

Zhang Enli was born in 1965 in the province of Jilin in China. In 1989, he graduated from the Arts & Design Institute of Wuxi Technical University and relocated to Shanghai to teach at the Arts and Design Institute of Donghua University, a transition that greatly affected his artistic practice and the evolution of his painting. Zhang Enli's paintings have been featured in numerous important exhibitions, including solo exhibitions at Hauser & Wirth Zürich (2012); Shanghai Art Museum, Shanghai, China (2011); Hauser & Wirth New York NY (2011); Minsheng Art Museum, Shanghai, China (2010); and Ikon Gallery, Birmingham, England (2009), a presentation which travelled to Kunsthalle Bern, Berne, Switzerland (2009). Zhang Enli's work was also featured in the Kochi-Muziris Biennale, Kochi, India (2012); 'On Contemporary Era – The First Chinese Oil Painting Biennial', The National Art Museum of China, Beijing, China (2012); 'The 6th Curitiba Biennial: Beyond the Crisis', Instituto Paranaense de Arte, Curitiba, Brazil (2011) and '10,000 Lives: The Eighth Gwangju Biennale', Gwangju, Korea (2010). In 2013 Enli will present a solo exhibition at Museo d’Arte contemporanea di Villa Croce, Genova, Italy.

This exhibition is made possible with support from The ICA Exhibition Supporters Group including Hauser & Wirth, among others.

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